A Gift for You

81tTwaiPleL._SL1500_If you stumble upon this post by Friday, December 5, you can receive a free e-book I published on Amazon, Eyes Peeled for Elvis: Haikus from a Road Trip. As I drove to New Hampshire from Texas to take my daughter Suzannah to her new job at New Beginnings, I recorded the trip on social media with a series of Haikus and many of my friends answered in Haiku form. Some are funny, some just slightly amusing, and some are bittersweet. This book includes my own Haikus and some from my friends, including a couple of award-winning poets. The e-book is free until Friday. After that, it’s still a bargain at $2.99. Any profits we make from this project will be donated to New Beginnings, an organization to prevent domestic and sexual violence and provide support, advocacy, and/or shelter for victims.

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David LaMotte Is A Dangerous Man

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Worldchanging 101: Challenging the Myth of Powerlessness, by David LaMotte

David LaMotte is a dangerous man. His demeanor is gentle. His acoustic guitar and singing voice depend on a microphone to be heard in a crowded room. His speaking voice has a velvet quality that you will hear through his writing whether or not you have ever heard him speak.

That’s what makes him so dangerous. Continue reading “David LaMotte Is A Dangerous Man”

Shocking, Scandalous, and Offensive, Just Like the Grace Of Jesus

91XD1k9kjoL._SL1500_Translating the Gospel into the language of one’s parishioners, whatever the context, presents the parish pastor with a daunting daily challenge. In Pastrix, Nadia Bolz-Weber tells the story of her struggle to find not just words, but just the right emotional tone to convey the shocking, scandalous, offensive, and wondrous grace of Jesus to a congregation of saints and sinners deeply aware of their brokenness.

Middle-class suburban mainline Protestants might mistake her theological reflection for the profane exclamations of the captain of a pirate ship, but within the context of her congregation, the House for All Sinners and Saints, Nadia Bolz-Weber proclaims the Gospel of Jesus Christ in bold and clear translation.

Were I to lead a study of this book with the over-eighty church ladies, I would be sure to come equipped with a supply of smelling salts in my communion kit for those few whose impaired sense of humor or heightened sense of decorum would lead them to faint on the floor should they hear their pastor read aloud one of his favorite passages, such as:

You hear a lot of nonsense in hospitals and funeral homes. God had a plan, we just don’t know what it is. Maybe God took your daughter because He needs another angel in heaven. But when I’ve experienced loss and felt so much pain that it feels like nothing else ever existed, the last thing I need is a well-meaning but vapid person saying that when God closes a door he opens a window. It makes me want to ask where exactly that window is so I can push him the fuck out of it. (Bolz-Weber, Nadia (2013-09-10). Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint (p. 111). FaithWords. Kindle Edition.)

Once the eyebrows have been untangled from wigs, and the faint of heart have revived, even the shocked may also be awed by a starkly honest tale of grace and redemption—a prodigal daughter who returns to Jesus with a congregation of sinners and ragtag saints she picked up along the highways and byways at brothels, gay bars, dens of iniquity, and a pig sty, trailing behind.

A pastor with Nadia Bolz-Weber’s larger-than-life presence (if you only read one book this year by a six-foot-tall woman recovering from addiction, fundamentalism, and Grave’s disease, former Church of Christ now Lutheran pastor with a tattoo of Mary Magdalene, well . . .) has to struggle with the challenge to become transparent that others may see Jesus more clearly. She is an operatic figure turned loose on the world, and yet, somehow, she pulls the rug out from under her own grand personality to show us the radical grace of Jesus Christ.

Bolz-Weber’s confessional honesty, along with her self-described “misanthropic personality” provide a deep well of illustrative material for her theological proclamation of grace for all. Her prose dances with the rhythms of her former life as a stand-up comic, but her days of using comedy to distract herself and others from the darkness have passed. Her comedy now serves as a vehicle of the grace to which she, and all of us, cling. Her raw accounts of failure in every attempt to chart her own path of salvation will lead honest parish pastors to recognize ourselves, our self-deceiving fantasies of self-reliance and success through sheer competence, hard work, and charisma, and follow her into deep darkness where she points to the light of resurrection that no darkness can overcome.

This review was published originally in Seminary Ridge Review, the journal of Lutheran Theological Seminary at Gettysburg. Thanks to Poetry and Theology Editor Katy Giebenhain for the invitation to write it and permission to post here after publication.

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